Proceedings of the Digital Humanities Congress 2014
Edited by Clare Mills, Michael Pidd and Jessica Williams
2014
Cite the Book
Mills, Clare, Michael Pidd and Jessica Williams (Eds.). Proceedings of the Digital Humanities Congress 2014. Sheffield: The Digital Humanities Institute, 2014. Available online at: <https://www.dhi.ac.uk/books/dhc2014>
Table of Contents
Paul Longley Arthur. Knowledge Networks in the Humanities
Stephen Brown, David Croft and Simon Coupland. Methods for Mining Messy Real World Data: Co-reference Identification Using Fuzzy Logic
Erik Champion. Ludic Literature: Evaluating Skyrim for Humanities Modding
Alice Humphrey. A Proposed Method for the Digital Description and Analysis of Geometric Ornament
Cornell Jackson and Matthew Hammond. Use of Social Network Analysis to Explore the People of Medieval Scotland
Simon Mahony, Julianne Nyhan, Melissa Terras and Ulrich Tiedau. Digital Humanities Pedagogy: Integrative Learning and New Ways of Thinking About Studying the Humanities
Ralph Morton and Hilary Nesi. Corpora, Catalogues and Correspondence: The Item-Level Identification and Digitisation of Business Letters for the British Telecom Correspondence Corpus
Cornelis J. Schilt. Corpus Newtonicum: Writing with Isaac in the 21st century
Frederick Truyen. “All Our Yesterdays” Europeana and the Phenomenology of Photographic Experience through the Framing of Digitization
Ian Harvey and Nicky Lloyd. Lost Visions: A Descriptive Metadata Crowdsourcing and Search Platform for Nineteenth-Century Book Illustrations
About the Publication
The Digital Humanities Congress was held in Sheffield from 4-6th September 2014. The conference was intended to promote the sharing of knowledge, ideas and techniques within the digital humanities and we had a varied programme comprising international speakers from disciplines across the arts, humanities and heritage domains. This digital edition of the conference proceedings presents 10 of the papers.
The keynote speakers were: Professor Laura Mandell (Director, Initiative for Digital Humanities, Media and Culture, Texas A & M University); Professor Fred Truyen (Professor in the Faculty of Arts and Head of CS/Digital Media Lab at the Institute for Cultural Studies, KU Leuven); Professor Paul Arthur (Professor of Digital Humanities, The University of Western Sydney).
The book was originally edited by Clare Mills, Michael Pidd and Jessica Williams. The current version has been prepared by Serena Dewar.
Copyright and Permissions
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