2191 [2151]
The burning of M. Bucer and Paul. Phagius bookes and bones. Generall proceßion.
The order and maner of burnyng M. Martin Bucers and Paulus Phagius bones, and also of their Bookes, with a solemne generall procession, at Cambridge. Anno. 1557. February. 6.
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Commentary on the Woodcuts
Alternative title: 1583: The order and maner of burning M Martin Bucers and Paulus Phagius bones, and also their bookes, with a solemne general procession. At Cambridge. This scene provided an opportunity to display, through the 'general procession', the rejected pomp of papal ritual, as depicted in small in the title-page. Here too we see tonsured priests processing with service-books, the holy sacrament under its canopy adorned with crosses, banners of the Trinity and (at the head) St George, the blazing torches, bell-ringing and candles all presented as comparable to a rite of pagan Rome. At the centre the burning of whole panniers of large volumes (leaves floating away in the air) emphasise the literary heritage of the two men whose boxed bones are chained to the stake. The arc of people surrounding the pyre is comparable to the woodcut of 'The solemne procession of the triumphant Church of Rome, used at the execution of poore Christians', illustrating an auto-da-fé of the Spanish inquisition in John Day's 1569 edition of Reginaldus Gonsalvius Montanus, A discovery and playne declaration of sundry subtill practises of the holy inquisition of Spayne (STC 11997). In 1569 Day also printed a Dutch edition, which was intended to carry the illustration. The English version was translated by V. Skinner with a dedication to Archbishop Parker, and the rarity of surviving copies of the large fold-out woodcut (270 x 360) is doubtless explicable by its removal for wall posting. The tipping in of Foxe's woodcut allowed such use for the Bucer-Fagius illustration, except in the 1570 edition. A relationship between the Gonsalvius woodcut and the earlier Bucer-Fagius one is made more likely by the passage of a woodcut from Day's Dutch edition into 1570, p. 1724, and by the fact that the same cutter was responsible for both the 'Solemn Procession ' and the 'Ten Persecutions' woodcut in 1570. There is also a distinct family resemblance between the two figures in the fire at the centre of the 'Solemn Procession' and Acts and Monuments burnings (e.g. small cut (f) of Type 2 with bearded martyrs wearing loin cloths). The links between these images is suggestive of Day's active participation in the illustrative programme.
This was done the next day folowyng by the aforesayd Byshop of Chester, with as much ceremoniall solemnitie as the law required. But that impanate God, whom Bucers Carcase had chased from thence, was not yet returned thether agayne: neither was it lawfull for him to come there any more, but if he were brought thether with great solemnitie. As I suppose, duryng all the tyme of hys absence he was enterteined by the Commissioners at Trinitie Colledge, and there cōtinued as a soiourner. For thether came all the Graduates of the Vniuersitie, the viij. day of February, of
[Back to Top]MarginaliaA solemne Procession of the Vniuersitie and of the townesmen.gentlenes and courtesie to bryng hym home agayne. Amongest the which number, the Byshop of Chester (worthy for his estate to come nearest to him, because hee was a Byshop) tooke and caried him glad in a long Rochette, and a large tippet of sarcenet about his necke, wherin he wrapped his Idoll also. Ormanet Datary had geuen the same a litle before to the Vniuersitie for that and such lyke purposes.
[Back to Top]When this Idoll should returne home, he went not the straightest & nearest way as other folke are wont to go, but he fetched a compasse about the most part of
the