A
considerable part of the monks’ day was spent in the church,
where they celebrated the Canonical
Hours. When numbers peaked
in the late twelfth century, about 120 monks would have congregated
daily in the choir at Fountains.(21) By the time of the Dissolution
in 1539, numbers had fallen significantly and there were only thirty
monks.
The monks’ choir occupied the crossing
and the two easternmost bays of the nave. The monks took their
places here
in inward-facing
wooden stalls. Initially these may simply have been moveable benches,
but in the later Middle Ages there were carved wooden stalls, set
in stone-lined pits. The monks prayed upright, rather than prostrate,
but stood for the night office of Vigils, no doubt to reduce the
risk of anyone nodding off. The monk appointed as priest for the
week was known as the hebdomadary, and he led the Office. A monastic
official called the precentor stood to the right of the choir and
led the chant. He and his helper, the succentor (sub-cantor), were
responsible for encouraging the singing in choir and making sure
that the monks were attentive.
A revelation at Lauds
Abbot Ralph Haget had a memorable
experience when he was a choir-monk at Fountains. Read more...
An interesting discovery was made
in the nineteenth century, when excavation of the church uncovered
pottery vessels embedded in
the masonry beneath the choir stalls. It is thought that these
were acoustic vases, similar to those used in Roman amphitheatres,
to improve resonance and thereby enhance singing in the choir.(22)